As of late, I’ve been using my blog as a form of brain dump site because I am essentially cruising at life at the moment. I love this quiet season because it’s comfortable, but it also encourages the habit of slacking off. To avoid this tendency, I just keep on walking short paces to my next destination by picking up these small bits of thoughts I am having these days and allowing them to simmer and bring some clarity as to where the next destination actually is.
This led me to remembering my most recent conversation with a fellow creative. This friend of mine is a young, talented performance artist. We have quite a different practise, but we are both creatives and we enjoy sharing our experiences in the creative world.
During the course of conversation, rejection was mentioned and we had an interesting sharing of our thoughts about it. One insight and question I had in mind was why this topic isn’t talked much about by creatives. Absolutely no one has told me that rejection will be a part of my lifestyle if I ever choose to pursue a career in art. I’m pretty sure this isn’t exclusive to the arts but at least in my circle, no one talks about how common this is. It came as an absolute surprise to me when I first experienced it.
I wouldn’t say I haven’t experienced rejection in my previous corporate jobs. Proposals and ideas get rejected all the time, but with my art, the rejection felt more personal. I feel like at every turn, rejection is just right around the corner.
You want to show your work? No gallery or venue will just accept your proposal straightaway. Your work must be valuable enough. And once you’ve set everything up, someone at your exhibition will say your work looks too easy, they themselves can create it – so why didn’t they?
You need funding for a project you want to pursue? To qualify, you’d need a track of successful endeavours trailing you as part of the requirements.
My thoughts go back to schools and learning institutions. Why isn’t rejection taught more? Or it may have been taught but my attention was elsewhere, who knows?
I’ve got more questions than answers from my own thoughts, but my friend had a clever idea she encountered on this topic. She introduced me to a concept she has read and watched from this guy Jia Jiang. The book was called Rejection Proof. I haven’t personally read it yet, but the idea was to subject yourself to situations where you’re certain will lead to rejection. She told me he also has a Youtube channel if anyone wants to check it out. The mere suggestion of voluntarily subjecting yourself to these situations sent shivers down my spine.
I aim to read the book one of these days but one key takeaway for me from that concept was to take the risk. There was also an interesting thought from one of the podcasts I usually listen to. The artist said that when your work gets rejected from a specific show, gallery, or award-giving body, it doesn’t mean that your work is rubbish. It may only mean that your work wasn’t apt for the theme they were going for, or that the judges’ tastes doesn’t necessarily align with yours.
As for me, I know that the quality of my art now doesn’t match with the vision I have for it yet, but I will continue showing my work and entering in art awards and shows. I need all the feedback I can get to get to the vision I have for my art.
To you, dear observers and consumers of art, you are definitely entitled to your own opinions, but as much as it is humanly possible, please be respectful to the creatives who are pouring their hearts and souls into the work that they produce.
And to you, my fellow creative, let’s keep pushing forward! One of these days, those rejections will turn around and be a win for us!
HandsVentures NZ 